1、勤操4指、5指独立
Handle 4 fingers and 5 fingers independently
“勤能补拙”，笨拙的4指只能靠勤奋来弥补其先天不足，每天只要有空就见缝插针地练习4指，提高4指掌关节的灵活性、指关节的支撑能力，只要坚持，必有成效，因为4指的“天然肉垫”是很“肥沃”的。“五指”独立有两层含义：一是指第5指的独立性。许多学生喜欢将腕的动作取代第5指的任何动作，这不仅助长了第五指的惰性，而且声音也干涩缺乏变化，后患无穷;二是指5个手指的独立性。练琴的主要目的是锻炼每个手指，充分发挥每个手指的潜力，经常听见的“凹凸不平”的音阶、“跌跌撞撞”的十六分音符就是五个手指不够独立的产物。
"Diligent can make up for clumsy", the clumsy 4 fingers can only rely on diligence to make up for its innate deficiency, every day as long as there is time to practice 4 fingers, improve the flexibility of the 4 finger metacarpal joint, knuckle support ability, as long as insist, there will be results, because the 4 fingers of the "natural meat pad" is very "fertile". "Five fingers" has two meanings: one is the independence of the fifth finger. Many students like to replace any movement of the fifth finger with the movement of the wrist, which not only contributes to the inertia of the fifth finger, but also the sound is dry and lack of change, causing endless trouble; The second is the independence of the five fingers. The main purpose of practicing the piano is to exercise each finger, give full play to the potential of each finger, often heard "uneven" scale, "stumbling" sixteenth note is the product of five fingers is not independent enough.
2、双手合奏脑先行
Two hands go before the brain
在双手合奏时，脑先行。练习之前，默读乐谱，弹奏的每个细节都由大脑指挥，而不是任由手指自行发展，时不时冒出些不正确的音来。有时成人的“杂念”较多，大脑会“开小差”，应注意理念毅力的控制，养成注意力集中的好习惯。
When the hands are joined, the brain comes first. Before practice, read the score silently and play every detail by the brain command, rather than letting the fingers develop and create some incorrect sound from time to time. Sometimes adult's "distracting thoughts" is more, the brain will "absent-minded", so you should pay attention to the idea of perseverance control and develop the good habit of attention.
3、视、奏对应耳听为真
Seeing and playing are true to the ear
“视”的音与“奏”出的音是对应的，这种视、触觉“对号入座”的惯性感对人视谱能力及视奏能力的提高有很大帮助，是“视觉成像”在键盘上的反应，这种反应能力的快慢必须以一定时问的磨合为前提。“耳听为真”充分体现了听觉在练琴时的监督作用。长期坚持听觉的训练，达到“三觉”(视觉、触觉和听觉)一体的状态，必将同时提高视奏和听音能力，发挥了钢琴这门基础学科的“工具书”价值。
The sound of "vision" corresponds to the sound of "playing". This sense of inertia of visual and tactile "matching" is of great help to the improvement of visual spectrum ability and visual performance ability. It is the response of "visual imaging" on the keyboard." Ear listening is true" fully embodies the supervisory role of hearing in piano practice.Long-term adherence to auditory training, to achieve the "three senses" (visual, tactile and auditory) in one state, will certainly improve the visual and auditory ability, the piano this basic discipline "reference book" value.
4、万能法宝：慢、慢、慢
Universal weapon: slow down
不论是对儿童、少年，还是成年人，钢琴教师喋喋不休地教诲的就是一个字“慢”。慢速练习就好比实验室里的“显微镜”、体育比赛中的“慢镜头”、爷爷奶奶们的“放大镜”，将我们练习中出现的问题“放大”，把难题化解为易解决的若干个小问题，是发现问题并寻求解决问题方法的惟一途径。可以毫不夸张地称其为“万能法宝”。手、脑、眼、耳任何环节的练习无不是一个“慢练”的过程。
Whether to children, teenagers, or adults, the piano teacher's endless teachings is a word "slow down". Slow practice is just like the "microscope" in the laboratory, the "slow lens" in the sports competition, the "magnifying glass" of grandparents, "magnifying" the problems that appear in our practice, "solving" the difficult problem into a number of small problems that are easy to solve, is the only way to find the problem and find a solution to the problem. It is no exaggeration to call it a "magic bullet". The practice of hands, brain, eyes and ears is a slow process.
